About Us

{contentTitle}

Accessory

{name}

Account Removal

User Account Update

Account Update

User Activation

Activation page

Amortization Calculator

{title}

Application Picker

Job Detail Page

Career Page

Case Studies

Case Studies Page

Cookies Bar

Cookies

Cookies Info

Cookies Page

Cookies Info (CZ)

Cookies Page (CZ)

Disclaimer

Error 404

Error 500

PDF Error

Event

Expos&Events

Expos&Events Page

FilePage

File

User Forgotten Password

Forgotten Password page

Gallery

General Translations

General Spot On

Gobo

Happy Hours

Homepage

HP Slider

Homepage Slider

Innovation

Innovation Page

Inquiry

Key Feature Category

{intDes}

User New Password

New Password page

News

News Detail

News Detail Page

News Page

Office

Offices Page

Products Parameters

Param Or Feature

Patent

{number}

Patents Page

Person

{firstName} {lastName}

Podcast page

Privacy

Privacy Policy

Privacy (CZ)

Privacy Policy (CZ)

Product

Product Detail

Product Detail Page

Product Overview Pages

Products Page

Rental Region

{region}

User Registration

Registration

Rental

Rental Finder

Search Page

Short Video

{internalDes}

Slide

Smart Links

Spot On Index

Support

Support Project Registration

Support Rma Form

Sustainability

Technical Training

Technical Training Calendar

Technical Training Type

{subtitle}

User Thank You

Thank You page

Trademark

{trademark}

Trademarks Page

Unavailable Locale Error

User Login Modal

User Login

User Login page

Video

Video Spot On

Wheel

System and Method for Controlling the Humidity and Pressure in a Luminaire

Systems for a Luminaire

Coating for a Framing Shutter for a Luminaire

Removable Lens System for a Luminaire

Lighting Control Console

14070420-01

99016015-9

99016015-8

99016015-7

99016015-6

99016015-5

99016015-4

99016015-3

99016015-2

99016015-1

 on Instagram and never miss a story again!

The browser you are currently using is not supported. To prevent glitches and functionality issues, switch to different browser.

The browser you are currently using is not supported. To prevent glitches and functionality issues, switch to different browser

They wanted stunning visuals and high production values for this special occasion – arena shows are still a rarity whilst the pandemic continues – and so asked Josh Beard and Jacob Vanvlymen from Houston, Texas-based production design specialist Visual Edge to create a memorable production design.

They chose Robe BMFL moving lights – a mix of BMFL Blades, BMFL WashBeams and BMFL FollowSpots – to be at the core of the lighting rig.

Visual Edge was initially asked to present some design ideas which would incorporate lighting and video by SCC’s technical director Jeremy Hix. Three concepts were presented and one selected in which automation was also central to the design.

Taking into account the idiosyncrasies of a socially distanced audience, Josh and Jacob knew the importance of the design being “immersive” and able to reach out and touch everyone in the room, transferring the energy and action of everything happening onstage.

Automation helped achieve this, allowing completed shifts in the stage architecture and plenty of visual surprises that could be revealed throughout the event.

Movement also enabled “supersizing” the rig at key moments to make the environment look and feel huge, sweeping everyone up and into it. Furthermore, working in conjunction with a large ‘blow-through’ LED screen upstage, it helped create a series of unique performance spaces to highlight the different artists.

BMFLs were chosen for their power, dynamics, and multiple features. “We knew they would work perfectly for the job, so it was really a no brainer,” stated Jacob, adding that he and Josh were also keen on having continuity across the fixtures, hence the selection of the three different types of BMFL.

Most of the 30 x BMFL Blades were rigged on the “ribs”, a series of six over-stage trusses, three flown each side of a central upstage / downstage truss, all of which were on motors as part of the automation system. These BMFLs were the primary spot fixtures on the rig, and in addition to their multifunctionality, were powerful enough for the large throw distances needed when the trusses were in certain positions.

The remaining BMFL Blades were positioned on the key lighting truss hung out over the audience.

The eight BMFL WashBeams were deployed on the upstage part of the super-grid, where they were ideal for strong artist back light, matching perfectly in quality, texture, and light output with the BMFL Blades.

The four BMFL FollowSpots were all on the key lighting truss.

“We loved the idea of not using conventional arena follow spots,” explained Jacob, “so the RoboSpot option was a great solution that worked flawlessly”. It also allowed the operators to focus fully on following the artists without any distractions.

The BMFL FollowSpots were operated via four RoboSpot BaseStations located just behind the stage, with comms to FOH key light operator Ian Berkman who ensured that levels were tweaked and adjusted as needed.

Josh commented generally that he thinks Robe is “a very solid” brand with several signature product lines “that speak for themselves” which he thinks is a great recommendation for any lighting designer.

Lighting for the event was controlled via four grandMA2 consoles – two live and two backups – programmed by Josh, and operated by him and Ian Berkman, who between them lit the complete lineup. Before arriving on site, they had completed a couple of weeks in pre-viz.

Jacob comments that it was “simply fantastic” for the Visual Edge team, all the crew and in fact everyone involved in making this show happen to be back working in an arena after a year that has been seriously interrupted and disrupted by the coronavirus pandemic.

Related to that, he said that almost everyone at some point had to ‘take a moment’ to recalibrate and realize that they were back working a full-size, full production, full-on show, which was a huge success, a great morale boost and enthusiastically enjoyed by everyone in the AAC.

The lighting vendor was Upstaging. The event’s production manager was Jonathan Woelfel and video, and audio was supplied by DPS and Deep South Production respectively.

Despite 2020 being a crazy and challenging year, Visual Edge has expanded its team of creative and design specialists and is looking forward to working on some cool projects this year.

Shoreline City Church Celebrates Christmas in Style

Products Involved

BMFL™ Blade

BMFL™ WashBeam

BMFL™ FollowSpot

RoboSpot™

Discover more

Robe Helps Epic Eurovision Glow Up

Lucie celebrates 40 with Robe

Def Leppard Hysteria in Las Vegas with some Robe Influence

100th Anniversary of Berlin Radio Tower Celebrated with Robe illumination

Navigate

Log in

Follow Us

Stay in Touch

Navigate

Log in

Follow Us

Stay in Touch